M/S of housewife Mrs Jane Diaz sat at a table in her living room, on the table there are piles of material in front of a sewing machine. There are dolls on the windowsill behind her, she is holding the frame of a plastic doll and is adding bits of plastic to it. C/U of her...
M/S of housewife Mrs Jane Diaz sat at a table in her living room, on the table there are piles of material in front of a sewing machine. There are dolls on the windowsill behind her, she is holding the frame of a plastic doll and is adding bits of plastic to it. C/U of her hands adding the plastic to the frame. C/U of her face and hands moulding the doll, M/S as she picks up a tray. C/U as she places the doll into the tray, M/S as she gets up with the tray.
M/S as she walks into the kitchen and puts the tray down, she bends and opens the oven door and takes out some scones she has been baking. She then picks up the tray with the doll in and puts it in the oven. She uses a fish slice to move the scones from the baking tray onto a plate. C/U as she puts the scones onto the plate, M/S as she finishes doing this and picks up a tea towel. She opens the oven door and takes the tray out, she touches it to make sure it is done. The narrator tells us she makes the dolls round a copper wire foundation to give them flexibility. She turns the oven off and shuts the door. She picks up the doll and carries it into the other room.
M/S as she sits at the table again and starts painting the doll. C/U of her hands painting the doll's face. C/U profile of her face as she paints. M/S as she tapes some cotton wool round the frame. M/S as she picks up a white and blue dress for the doll, M/S as she puts it on. C/U of her fitting the dress. M/S as she places a hat on its head and holds it up to look at. M/S of the legs of two dolls, the camera pans up to show they are dressed for skiing. Their faces look upper class and snooty. M/S of a doll which represents Marilyn Monroe, next to her is an elderly lady doll dressed in period costume looking disapprovingly through lorgnettes. The camera pans down to show their outfits. M/S of two dolls wearing big hats and Edwardian dresses. M/S of a model of Long John Silver with a wooden leg and a parrot on his shoulder, there is a box full of treasure by his side.
Adrenaline seekers from the past have left an indelible mark on the Pathe archive. Some were so dangerous they even lost their lives. Here are 10 top daredevils.
Terrorism is nothing new. The Pathe archive has a vast collection of material related to terrorist attacks dating back to 1919 right through to the 2005 London bombings.
The death penalty has been carried out in almost all societies and although these images from WWI and WWII are unsettling, they still provide a raw account of events from a certain time.
The images taken from inside Buchenwald Concentration Camp after its Liberation show us what it was like; it tells us what happened and forces us to remember.
The great politician and orator Winston Churchill left behind a sea of humourous quips and discerning quotes. We remember some of his finest epigrams and witty ripostes.
WW2 accounted for over 60m deaths and innumerable lives shattered. Pathé cameras took to land, sea and air to record the bloodshed. Here are the 10 bloodiest battles that were caught on film.
Life before health and safety laws; men worked at huge heights, balancing on girders and cranes all in order to help build the world's tallest skyscrapers.
Over its history, the Pathe cameras filmed a number of people who had committed heinous crimes. So in no particular order, these images show ten faces of truly evil men and women.
Comments (0)
We always welcome comments and more information about our films.
All posts are reactively checked. Libellous and abusive comments are forbidden.