Cuts (rushes, out takes) for stories in Colour Pictorial - CP 328. The original stories are also on Pathe Master tape *PM0139*.
01:08:47 to 1:11:03 cuts for story TAXIDERMIST in CP 328. Very similar footage to that in the cut story; also a mane being attached to the top of a stuffed lion's head.
01:11:02 to 01:11:12 cuts for story CHANGING PICCADILLY in CP 328. Night shots: two brief shots of the illuminated advertising boards at Piccadilly; nice brief shot of people walking along a crowded street past a bright window display (looks like a kind of odd tube map with a moving genie) with the lights in the background. 01:17:41 to 01:22:22 - Daylight shots: lengthy M/S of Eros against the sky; nice general shots of traffic moving round Eros roundabout; in some L/Ss a policeman can just about be seen directing traffic. Shots of the models as in cut story
01:11:11 to 01:13:58 cuts for story STARS' GREYHOUNDS in CP 328. Similar footage to that seen in the cut story; a different shot of Millicent Martin and Ronnie Carroll greeting their greyhound; Millicent kisses the dog on the head and Ronnie makes dopey faces at it. Several shots as the couple groom and feed the greyhound. Nice C/U of the couple smiling. Various shots of the dogs being led across the field; Brian Hewson is seen with his dog. Comical C/U of trainer, Joe Pickering, apparently watching a dog across a field. 01:15:23 to 01:15:54 - several shots of Brian running about a field with his dog, then crouching down to pat it.
01:13:58 to 01:15:23 cuts for story VILLAGE OBSERVATORY in CP 328. Various shots of the Reverend Putterill looking through his telescope at the village church; and of the disused windmill. M/S of some purple crocuses growing in a flower bed. Several village shots not seen in the cut story show The Swan Hotel and a tractor being driven along an empty street as we tilt up to show a signpost. 01:15:54 to 01:17:41 - more footage as in the cut story.