American soldiers in a village firing mortar. As it fires they move back and put their hands on their ears. Several shots of the infantry advancing across field, shells bursting around.
American soldiers carrying wounded, some on stretchers.
American soldiers in a village firing mortar. As it fires they move back and put their hands on their ears. Several shots of the infantry advancing across field, shells bursting around.
American soldiers carrying wounded, some on stretchers.
Distant shelling, smoke rises across field. Army vehicles driving towards camera through fog. Vehicles driving across pontoon bridge.
Men with mine detectors moving slowly along road side, snowy field behind.
Adrenaline seekers from the past have left an indelible mark on the Pathe archive. Some were so dangerous they even lost their lives. Here are 10 top daredevils.
Terrorism is nothing new. The Pathe archive has a vast collection of material related to terrorist attacks dating back to 1919 right through to the 2005 London bombings.
The death penalty has been carried out in almost all societies and although these images from WWI and WWII are unsettling, they still provide a raw account of events from a certain time.
The images taken from inside Buchenwald Concentration Camp after its Liberation show us what it was like; it tells us what happened and forces us to remember.
The great politician and orator Winston Churchill left behind a sea of humourous quips and discerning quotes. We remember some of his finest epigrams and witty ripostes.
WW2 accounted for over 60m deaths and innumerable lives shattered. Pathé cameras took to land, sea and air to record the bloodshed. Here are the 10 bloodiest battles that were caught on film.
Life before health and safety laws; men worked at huge heights, balancing on girders and cranes all in order to help build the world's tallest skyscrapers.
Over its history, the Pathe cameras filmed a number of people who had committed heinous crimes. So in no particular order, these images show ten faces of truly evil men and women.
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The footage from 03:10 onwards was shot by a cameraman named as "G. Meyer" of the 166th Signal photo company, on 15 November 1944.