Duplicate copy of documentary on tape PM2979 - check for best quality.
High angle shot looking down on Eros. Pan with Pathe's sound recording van as it drives past Eros and into Shaftsbury Avenue. It pulls up in Wardour Street. Name plate reads "Associated British Pathe Ltd." pan up building....
Duplicate copy of documentary on tape PM2979 - check for best quality.
High angle shot looking down on Eros. Pan with Pathe's sound recording van as it drives past Eros and into Shaftsbury Avenue. It pulls up in Wardour Street. Name plate reads "Associated British Pathe Ltd." pan up building. Interior small studio with set construction in progress. A tree is positioned and steps placed next to it, both are nailed to the floor. A large camera blimp is tracked across the floor and a 35 mm camera put in the blimp. Racks of lights, electrician fixes a top light and an assistant puts a magazine of film onto the camera. CU lacing the Newall camera and setting the lens. Assistant looks through the eyepiece as the set director looks at the plans in a drawing room set. Three men in suits walk onto the set as activity goes on around them. They inspect the set as the lights come on. A man walks through the set and the sound men set the mic and check the levels. Thumbs up. Camera man does a final check and the warning light flashes from "Rehearsal to Silence". The clapper board is clapped and the camera starts to dolly in. Previous studio shoots show : Another set of a continental cafe scene with actors, and a tracking shot over objects in an attic for the "Scrapbook" series. Sequence from a feature film "Heights of Danger" shot in the studio and another sequence recreation a French office. Exterior shot of cars driving through puddles for a race scene. Studio shoot using a travelling matt with actors talking as they drive their racing car. A live action shot mixed with a studio shot. A Montage of studio shoots; A tracking in shot of David Niven, MS Donald Peers, pan up girls legs (wearing bikini) to her face, Anna Neagle dance sequence, a South sea island dance sequence, CU Attlee speaking, CU Churchill talking to camera, a smart drawing room scene with Norman Woolan, James Laver, Veronica Hurst and Lord Brabazon. Showing the making of the Pathe Cockerel logo in the studio.
Adrenaline seekers from the past have left an indelible mark on the Pathe archive. Some were so dangerous they even lost their lives. Here are 10 top daredevils.
Terrorism is nothing new. The Pathe archive has a vast collection of material related to terrorist attacks dating back to 1919 right through to the 2005 London bombings.
The death penalty has been carried out in almost all societies and although these images from WWI and WWII are unsettling, they still provide a raw account of events from a certain time.
The images taken from inside Buchenwald Concentration Camp after its Liberation show us what it was like; it tells us what happened and forces us to remember.
The great politician and orator Winston Churchill left behind a sea of humourous quips and discerning quotes. We remember some of his finest epigrams and witty ripostes.
WW2 accounted for over 60m deaths and innumerable lives shattered. Pathé cameras took to land, sea and air to record the bloodshed. Here are the 10 bloodiest battles that were caught on film.
Life before health and safety laws; men worked at huge heights, balancing on girders and cranes all in order to help build the world's tallest skyscrapers.
Over its history, the Pathe cameras filmed a number of people who had committed heinous crimes. So in no particular order, these images show ten faces of truly evil men and women.
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"Shaftsbury Avenue" should read Shaftesbury Avenue.
Possibly helping to reduce the clip's current date range of 1950-59, the film referred to, "Heights of Danger", was made in 1953.
"Norman Woolan" should read Norman Wooland.